We’re working towards a future where you can: This move will help us create a seamless and consistent experience for customers that use Native Instruments, iZotope, and Brainworx products. Today we’re excited to share that our new vibe isn’t just about appearances, but a new evolution: iZotope, Brainworx, and Plugin Alliance are becoming part of Native Instruments! What does this mean, exactly? Read more about the rise of house music in our "House of Pride: Celebrating the Queer and Black history of House" and "From Decks to Drum Machines: The Evolution of Early House Gear.As you may have noticed, Native Instruments got a fresh new look recently with the redesign of our company logo. Especially when used with NI's Komplete library of synths and presets, these tools are now mainstays of electronic dance producers of all stripes, including house, even if such productions can veer more toward pop, EDM, or tech-house than classic house heads prefer. ![]() (And, one last small foil: To switch between synth models, one had to, you know, own multiple synths-or at least have one that accepted Roland expansion cards.)Ĭomplete systems like Native Instruments' Maschine-a drum machine, sequencer, sampler, synth, and more-that can do it all would've been a pipe dream. House producers in the '80s and '90s had to kit out their studios with (almost a literal) ton of gear: Akai S-series samplers or MPCs to chop up music and acapellas, and plenty of standalone synths and drum machines like we've covered above, plus sequencers and recorders. And today's flagship CDJ-3000 still shares the name of this important lineage of DJ tech, even though it no longer contains a CD drive. The CDJ-2000 dominated the landscape since 2009. 2001's CDJ-1000 was the first that could fully mimic a vinyl turntable with a touch-sensitive platter-meaning you could nudge and break a track just like a direct-drive deck-and it was the first to have a virtual jog wheel on its screen for visual cues. ![]() While the 500 was the first CDJ, it certainly wouldn't be the last, nor the last to have lasting effects on how DJs perform.ġ998's vibration-proof CDJ-100S was the first to come with built-in effects. And it's a feature that DJs (and producers, when working within DAWs) simply take for granted today. DJs could mix tracks more seamlessly and expand their remixing creativity in ways that were not previously possible. Master Tempo holds the pitch of the track constant, even when you adjust its tempo, which was revolutionary when the CDJ-500 arrived. This device was the first of many that would create a CD player for DJs, and it had a unique feature that convinced many diehard vinyl enthusiasts to switch over: Master Tempo. In 1994, Pioneer launched the CDJ-500, which did nothing short but change DJing forever. What you may not know is they've been such fixtures for quite some time. If you look around at clubs today, you'll see that Pioneer's CDJs are fixtures of DJ booths around the world. ![]() Even if, like Kaytranada, they are known better for using Korg's M1 plugin, rather than the hardware itself. But the M1's sounds became so closely associated with '90s house, that to this day contemporary producers who want to nod to that era will still pull one in. There were and are many, many other synthesizers used in the creation of house music-the Yamaha DX7 or Roland's Juno-106, MKS-80, and, later, the JP-8000, to name just a few. The secret behind the success? The M1 was packed with an incredible amount of quality sounds, effects, and features built in, all while being much more affordable when compared to the multiple units of equipment you'd have to buy in order to match the M1.įrom its release forward through the '90s, its piano, organ, bass, and percussion sounds were a bedrock of house music, like the piano and organ sounds heard on Robin S.'s "Show Me Love" (which Beyoncé revived in 2022's "Break My Soul"). One of the best-selling synths of all time, the Korg M1 was first released in 1988.
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